We talk subverted expectations, how an artificial performance makes sense on a character who’s pretending to be something he’s not, the way in which forty years of oppression eats into a person’s soul, rejection of familial expectations and the performance of unspoken fraternal duty, and more, in our discussion of Jane Campion’s fascinating, complex, and beautiful drama, The Power of the Dog.
A fantastic dramatisation of some of the debates around women and film which many of you will recognise. Kathryn Hahn as Chris is a filmmaker whose latest film has just been rejected from the Venice film festival because she hadn’t secured rights to the music. Dick (Kevin Bacon) asks what it’s about and Chris explains that her film is about a woman — all women — and society’s crushing expectations. ‘Sounds horrible’ says Dick and then goes on to comment how it sounds like she’s crushed by something. Dick then behaves like a dick , talks through her to her husband (Griffin Dunne) and proceeds to mansplain why women filmmakers don’t make good movies. It’s a fantastic scene — Sally Potter, Jane Campion and Chantal Ackerman — get trotted out in defence. I also love the husband’s tokenistic inclusion of Susan Sontag as a coda to the conversation. Chris, torn between outrage at the ideas expressed and desire for the Dick doing the mansplaining, is something to see. I love ‘I Love Dick’. It’s terrific.