A thoughtful, exploratory discussion of a landmark gangster film, a story about America made by one of Italy’s greatest directors. We discuss how the film might have re-defined the gangster genre; the film’s aesthetic and how particular choices serve expression, we talk of the violence in the film and the charges that it might be misogynist; the distinctions between script and mise-en-scène; what the film shows and the film’s pov on those actions; the relative lack of dialogue and the focus on faces; we discuss the significance of the closing shot…and much much more, not least Robert De Niro’s extraordinary performance.
The podcast may be listened to here:
José Arroyo and Harry Watts.
Sofia Coppola’s first film. The title’s such a turn-off that I avoided it until 2012. I thought it would be depressing but it’s not: I was a fool. It’s an engaging and humorous work with a real feel for teenage female desire and angst. ‘What are you doing here honey’, says a doctor to one of the sisters after a suicide attempt, ‘you’re not even old enough to know how bad life gets’. ‘Obviously Doctor, you’ve never been a thirteen-year old girl’. The situation and humour are slightly dark but the story is told with a welcome light touch throughout. The film’s got depth too: the scene where Trip (Josh Hartnett) leaves Lux (Kirsten Dunst) in the football field without being able to quite comprehend it himself is one of many examples. Plus Coppola’s direction allows for other pleasures: the callow attractiveness of Josh, the real beauty and skill of Kirsten, James Wood for once underplaying, and a suddenly aged Kathleen Turner, all marvellous. It’s beautifully directed but still falls apart at the suicide. What leads up to it is not quite conveyed. Surely being treated badly by a boy and not being allowed out for a while by their parents is not sufficient cause for it otherwise so many more of us would be dead. Still, it’s a delight to see a work of such skill and feeling from a first time director.