Tag Archives: James Bond

La Mujer murcielago/ The Batwoman (Rene Cardona, Mexico, 1968)

The kind of film where the lead character attends an autopsy wearing a bikini: glamorous, camp, a bit low rent. In the podcast we discuss how the film is influenced by the James Bond craze, the Batman TV series, the wrestling phenomenon then at its height in Mexico, and a history of horror cinema. There’s a mad scientist who laughs an evil laugh, his assistant is called Igor, there’s a Promethean attempt at creating people à la Frankenstein except this time it’s a fish, Pisces, presumably to make the most out of the Alcapulco setting, a bit like The Creature from the Black Lagoon but in a prettier setting (and this seems to have in turn influenced  Del Toro’s creature in The Shape of Water). It’s an aspirational film: there are fancy cars and apartments, great clothes, speedboats, the latest in consumer items (the record player is to die for). It’s also a curious mixture of feminist aspiration (the wealthiest woman in the world, sisterly, super-smart and able to fight) with misogynistic realities (The Batwoman’s function is predominantly to wear a bikini and be looked at whilst solving crime). We end by noting that the film is credited to Rene Cardona as director but it’s ‘a film by’ producer Guillermo Calderon Stell and we discuss how it fits in to the extended Batman universe. The last of our podcasts on the wonderful MUBI programme: Spectacle Every Day: The Many Seasons of Mexican Cinema.

The podcast may be listened to here:

The podcast can also be listened to on Spotify here: https://open.spotify.com/show/2zWZ7Egdy6xPCwHPHlOOaT

and on itunes here: https://podcasts.apple.com/gb/podcast/first-impressions-thinking-aloud-about-film/id1548559546

The Trailer for “The Wild World of Batwoman” (1966) that Richard mentions may be seen here:

According to Richard: ‘there’s a great (and profusely illustrated!) piece on gay coded Batman and Robin / Frederick Wertham / original Batwoman in the answer from Ben Skirvin here: https://www.quora.com/Why-did-DC-create-a-Batwoman-when-there-was-already-a-Batgirl

The New York Times article on the film

You may also be interested in the following screen grabs:

José Arroyo

Eavesdropping at the Movies: 321 – No Time to Die

Listen on the players above, Apple PodcastsAudible, Google Podcasts, or Spotify.

Daniel Craig’s Bond bids us goodbye in No Time to Die, the culmination of his fifteen-year tenure as the gentleman’s spy – but is it really Bond? The character, and the films in which he appears, have changed in tone and attitude in recent years, in response to several factors, including criticisms of misogyny and the cinematic influence of the Bourne series, all of which results, for José, in a film that while good, just isn’t Bond any more. We consider what makes No Time to Die‘s Bond different, discussing his clothing, the intensity of serialisation from one film to the next, and the Bond girl – and, as Mike suggests, the character’s key change in attitude: Craig’s Bond takes things seriously and is capable of being outraged.

Although we pick at these things, the film is easy to recommend. The action is well-executed, Rami Malek’s villain beautifully played (if lazily written), and the entire affair is hugely enjoyable. Where Bond goes from here, who knows, but No Time to Die is a good send-off for Craig’s incarnation.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.

 

The World is Not Enough (Michael Apted, UK, 1999)

My original review for Sight and Sound:

ArroyoJose.Sight and Sound; London Vol. 10, Iss. 1,  (Jan 2000): 62-63,3.