Tag Archives: Giuliano Gemma

THE IRON PREFECT/ IL PREFETTO DI FERRO (PASQUALE SQUITIERI, 1977)i

 

A popular and political film based on a real person, Claudio Mori, who was sent by Mussolini to Palermo in 1925 to eradicate the Mafia. Mori, humourless, systematic, efficient and ruthless begins to smoke them out; first the peasants, then the landowners followed by the churchmen, bourgeois and aristocrats. But it’s no use, at the end all his troubles have been for nothing because all the money leads to the Fascist Party and the State. His goal had been to make people respect the law by making citizens fear the state as much as they fear the Mafia. In the end, they do but only because the State is already the Mafia.

A gripping film with no particular visual razzmatazz but with an eye for both scale and intimacy and a superb Ennio Morricone score. Giuliano Gemma is good in a role meant for his idol, Burt Lancaster. The presence of Claudia Cardinale, second-billed in a tiny role that would seem worthless of her if she didn’t represent ‘the people’ (and have ‘the people’ ever been more beautifully represented?), was a complete mystery to me — why would such a big star take this small and far from challenging role?  — until I learned she was Squitieri’s partner at this time. The extras on the Radiance disc are excellent and I learned from Alex Cox’s intro that Giuliano Gemma was so popular in Japan he had a range of motorcycles and scooters named after him by Suzuki.

José Arroyo

A MAN ON HIS KNEES / UN UOMO IN GINOCCHIO (Damiano Damiani, 1979).

Like a Warners 30s Gangster Film. Giuliano Gemma is former car thief now gone straight. He’s out of jail, running a street stall and doing well for his family, when a place he delivers coffee to becomes the site of a mafia hit. A coffee cup carelessly left there implicates him and puts him on a mafia hit list. The film is all about how society dictates what a man should be and the impossibility of living up to it. The hero loses everything, is forced on his knees to kiss the mafia don’s ring in public, all so he could get back what had been robbed from him but with the addition of now being at the Mafia’s beck and call. But the hitman hired to off him (Michele Placido) is in no better position: the sole breadwinner of a rural family taking lives because he has no other way of maintaining his own.  How to get out of this one? Will he get out this one? An exciting male melodrama, visually inventive with long takes, hand-held camera, and film noir lighting, shot on the streets of Palermo, where a man constantly tries to do right by his family even as the society that requires that from him prevents him from doing so. Interesting too in that the mafia is here seeing exploiting poor people, pitting them against each other, extracting everything possible from the already poor and desperate. A film to see.

 

Jose Arroyo