Tag Archives: Film Programming

José Arroyo in Conversation with James McEvoy on Film Programming at the Warwick Arts Centre

What does a Film Programmer do? I talk to James McEvoy to find out what programming the Warwick Arts Centre cinema, a three-screen cinema, based on a university campus but also serving a local and regional audience, involves. Who is the audience and how to build new ones is part of the conversation.   We touch on Flatpack, the MAC, the Mockingbird, Square-Eye TV, Lock Studios, Steven Knight, the Forward Film Festival. James tells me about licenses and knowing who holds the rights to a film, which is sometimes confusing while underlining he is uninterested in gate-keeping, actively seeking collaborations and stressing the importance of getting the word out.

 

We spend a considerable time discussing the exciting new programme: there will be live opera and theatre projections; BFI funded seasons; the opportunity of seeing films financed by Netflix on a big screen. Programmes to look out for are the Silent Cinema screenings with live accompaniment, the melodrama season, Richard Dyer speaking on Brief Encounter, and more.

 

Each year there’s an over-arching theme across the whole of the Arts Centre. This year the focus is on care. The film programme component is called is ‘Handle with Car,’ with a substrand on ‘Cozy Classics’, which will involve screening a classic film once a month. There will be  tea and biscuits – feel free to BYOB (Blanket not Booze) — an opportunity for people to get together and see movies on a big screen. The Arts Centre will also be  bringing its 35mm projector back into action for the November screening of Cinema Paradiso. Part of another strand of the Care programme is ‘Care Behind the Scenes,’ co-programmed with Dr. Alice Pember and Dr. Polina Zelmanova, which will also have workshops as well as screenings (e.g. intimacy co-ordination’).

 

The Programme will include Accessible and Inclusive screenings as well as Audio-Description (for first time at the Art Centre) and there will be some workshops attached to this strand as well.

 

James stresses that the  programming also takes on board an exploration of the local and the national with focus on  independent and locally made cinema and with filmmakers holding Q&A’s when possible.

 

It all looks very exciting.

 

The podcast may be listened to here:

 

 

 

 

he podcast may also be listened to on: Spotify here: https://open.spotify.com/show/2zWZ7Egdy6xPCwHPHlOOaT

and on itunes here:

https://podcasts.apple.com/gb/podcast/first-impressions-thinking-aloud-about-film/id1548559546

Check out the general programme here:

https://www.warwickartscentre.co.uk/whats-on/cinema/

 

and particular ones here:

Big Screen Bigger Emotions

Handle With Care

 

Many thanks to Chris MacNichol for the music.

José Arroyo

 

 

In Conversation with Josh Bullin on UNSILENCED: THE RESILIENCE OF QUEER CINEMA

I was very excited to discover Josh Bullin’s new programme of queer films scheduled to be presented at the Rio Cinema in London from November 24th to the 5th of December: Unsilenced: The Resilience of Queer Cinema, A season of films which explores contemporary queer cinema from nations where regimes remain openly oppressive towards LGBTQIA+ identities. These hidden gems are a celebration of the persistence of the queer communities in these countries and remind us of the injustices not far from home that need to be fought against.

In this podcast we talk about the individual films –WET SAND (Elene Neveriani, Georgia, 2021) , LEITIS IN WAITING( Dean Hamer, Joe Wilson & Hinaleimoana Wong-Kalu; Tonga/USA, 2018) GRACEFULLY (Arash Eshaghi, Iran, 2018) & MEMORIES OF MY BODY (Garin Nugroho, Indonesia, 2019) — but also about the rationale for the programme as a whole. What goes into curating such a programme? Why are some films chosen and not others. What does a curator do? And what are the hopes for the resulting event? An illuminating discussion of what promises to be a fascinating event.

The podcast may be listened to here below:

 

The films will be screened at the Rio Cinema in London: 

The full programme can be seen below:

 

José Arroyo