Tag Archives: Denis Villeneuve

Eavesdropping at the Movies: 423 – Dune: Part Two

Denis Villeneuve’s epic adaptation of Dune makes its first appearance on the podcast in the form of the second film in the series – we saw the first when it came out but never podcasted on it. With the lore in place, the scene set, and the characters established, Dune: Part Two is free to develop romance, engage in action, and tell the story of the construction of a messiah. It’s beautiful, exciting entertainment – as long as you can remember everyone’s names and what their magic powers are and what they’re up to and why.

José feels no such issues keeping track of Part Two‘s various story elements, but Mike hasn’t done the homework and finds that the film isn’t going out of its way to help him. But no matter! The imagery on offer is astonishingly pretty, reassuringly expensive, and tuned for maximum visual impact – though we wonder how poetic it is, and ask ourselves to what extent the imagery in Villeneuve’s other work lingers in the mind, despite its premium sheen. We also discuss the degree to which we feel Part Two really feels like it’s buying in to its more supernatural elements. It tells a story of prophecy, visions, and unlikely fates, but, Mike suggests, also offers mechanisms and plausible explanations for things we see, arguably favouring its scepticism to avoid putting off an audience unwilling to go along with the otherworldly.

Whether you care or not, whether you can follow the details or not, there’s no reason to not see Dune: Part Two on the biggest and best screen available. For the visual design and production alone, it’s value for money – that the rest is good is a lovely bonus.

Listen on the players below, Apple PodcastsAudible, Google Podcasts, or Spotify.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.

Eavesdropping at the Movies 72 – Sicario 2: Soldado

sicario2.jpg

Sicario 2 is the best movie for watching on a plane we’ve ever seen. It’s pacey, entertaining, catchy, and entirely insubstantial. José discusses some issues he has with the film, including how many Mexicans it’s happy to kill while keeping every American alive, and the lack of tension in scenes that are crying out for it. Mike agrees with everything Jose says and knows he should have a problem with this stuff but just doesn’t. We agree that it’s a joy to see so much of Benicio del Toro and Josh Brolin, and when they share the screen they bring a special feeling to their interplay, but the conscience that Emily Blunt brought to the first film is perhaps lacking here.

Mike keeps repeating sentences like ‘I should have a problem but I don’t.;’I know what you mean but I don’t care’. In the end we agree that it doesn’t live up to the first Sicario, and really, how could it? But it’s good, rough, dark fun.

Recorded on 2nd July 2018.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.

Eavesdropping at the Movies 44 – 2018 Oscar nominations

oscar nominations

Mike and I have not seen all the films nominated. But we have seen most of the work nominated in the main categories and, with those qualifications in mind, we engage in preliminary discussion on the films, performances and cinematography nominated in the major categories. It’s also an opportunity for us to revisit and renew our appreciation of some our favourite films.

José Arroyo

The podcast can be listened to in the player above or on iTunes.

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Thank you very much for your feedback. It’s most welcome.  It’s already  led to some changes we hope you see as improvements. And it’s always great to have a dialogue on film so please keep the comments coming.

 

With José Arroyo of First Impressions and Michael Glass of Writing About Film.

Blade Runner 2049 – Eavesdropping at the Movies – Ep 10 – 8th October 2017

We discuss why Blade Runner 2049 is so moving and beautiful, how it develops and unfolds from the first one including relating gestures and costuming as well as characterisation and design. Lots of spoilers.

José Arroyo and Michael Glass from Writing About Film