What one finds trawling through the internet: This was the cover story for the October 1987 issue of Cinema Canada, on the occasion of the release of Egoyan´s Family Viewing and timed to coincide with that year´s Toronto International Film Festival. The image above is a sad photocopy of a too-used magazine of what was originally quite a beautifully coloured image. The full article can be accessed by clicking on the link at the botton:
A movie about the sexual killing of pre-pubescent children that has Dane DeHaan as the ice-cream man but that doesn’t end the way you’d expect it to. Another film that paints a dark picture of a rural America wading in poverty, ignorance, corruption; of a society that lacking justice in this world seeks it in another, sometimes through Jesus and sometimes through witchcraft.
This America that we see is depicted for us by a Canadian, a director famous for keeping things cool, distant, objective, complicated; one who likes to take it slow and doesn’t feel the need to take the audience with him; even when a town is willing to sacrifice three innocent teenagers as revenge for the murder of three innocent children. We see events in different mediums but the aim is to complicate rather than clarify. The focus is on self-expression rather than communication; maybe the director doesn’t trust the audience, maybe he simply hasn’t given any thought to it. Too bad for us.
Any film that needs a whole set of title cards at the end to wrap up the film can’t be said to work and I find the story-telling weak. However, Egoyan knows how to set a mood, one that starts under a river in a forest and ends up troublingly lodged in one’s psyche. The shots are often in shallow focus so that only one thing is clear at a time; and the camera sometimes wonders to the side of the action and sometimes outside of it completely, indicating that there are other answers to be sought.
Reese Whitherspoon gives another tart performance as a rural working class Mom, a multi-faceted one where hardness and anguish and need and love get even more muddled up with a need for justice. The moment where she dares her husband to hit her or when her arms seem to take up a life of their own and reach out for the nearest child as an evocation of the loss of her own, are moments worth treasuring: they show us a great actress giving her all and back to her peak.
Devil’s Knot also has other attractions: Stephen Moyer from True Blood is the lawyer working for the State; Bruce Greenwood clearly indicates that his Judge David Burnett has another agenda, Colin Firth is a very trim private investigator trying and failing to solve the case. It’s a film based on a true story, of great interest and many attractions. The pleasures, however, are few.