Amy Adams

Eavesdropping at the Movies 20 – Justice League

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Justice-League-theme-song

The costumes are atrocious, the look busy and garish, few of the jokes land, Wonder Woman is reduced to mothering the boys: there’s little to love in Justice League. We, however, have a hoot pointing out its many, many faults. Join in the laughter.

 

José Arroyo and  Michael Glass of Writing About Film

Nocturnal Animals (Tom Ford, 2016, USA)

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nocturnal-animals

I’m quite blown away by Tom Ford’s Nocturnal Animals. I hadn’t quite taken to a Single Man, finding it overly designed. But this is great. First impressions are: an audacious narrative structure with early scenes as tense as any I remember seeing; the best ensemble acting of any American film this year, with Michael Shannon making another strong argument for consideration as the best American actor of his generation: a film that discomfits with its demands but pays off and rewards attention. A noir melodrama on class, family and a rural/ urban divide in America. An extraordinary credit sequence. Amy Adams looks wrong for the part but turns out to be right for the movie. Brilliant cameo by Laura Linney and a superb turn from Aaron Taylor-Johnson. Armie Hammer, finally well-used in a movie. Tom Ford knows how to film men: Jake Gyllenhall, Michael Shannon, Aaron Taylor-Johnson and Armie Hammer have never looked better. Is the film a revenge narrative; or does it leave open other possibilities? A film I’d like to see again and talk to people about.

 

José Arroyo