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Thinking Aloud About Film: Arrebato (Iván Zulueta, 1979)

Iván Zulueta’s only feature as sole director. A cult film; a queer film; a vampire film; a film maudit; a film about film; a film about drugs; a film about film as a drug;  a film that deserves to be better known. Audiences will recognise many of Almodóvar’s collaborators from his earliest works (Cecilia Roth, Eusebio Poncela, Luis Ciges, Will More; Ángel Luis Fernádez is the dop) and the voice of Almódovar himself. A genre film that transforms into an auteur film. A film of the Movida and a film of the transition. A film that embodies and evokes one era but that gained traction in another. A cinephile’s film about addiction where one delights in being bitten by drugs and cinema even as that bite becomes transformative and potentially deadly. An avant-garde experiment encased in a genre film. A trawl through the underground that aimed at the mainstream.  Aside from this film, Zulueta is probably best known today for his fantastic designs for the posters of Almodóvar’s early films. A film to see and discuss.

 

The podcast may be listened to here:

Thinking Aloud About Film: (Arrebato, Iván Zulueta, 1979) by Jose Arroyo

The podcast may also be listened to on: Spotify here: https://open.spotify.com/show/2zWZ7Egdy6xPCwHPHlOOaT

and on itunes here: https://podcasts.apple.com/gb/podcast/first-impressions-thinking-aloud-about-film/id1548559546

SOME OF THE SCENES DISCUSSED IN THE PODCAST:

Beginning: Editing Vampires

Gran Via as Repertory Cinema:

Discussing Mae West:

King Solomon’s Mines and Cinephilia:

Cecilia Roth as Betty Boop:

End:

Drugs. Male Nudity, Cinema:

 

José Arroyo

By NotesonFilm1

Spanish Canadian working in the UK. Former film journalist. Lecturer in Film Studies. Podcast with Michael Glass on cinema at https://eavesdroppingatthemovies.com/ and also a series of conversations with artists and intellectuals on their work at https://josearroyoinconversationwith.com/

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