Wim Wenders finds inspiration in Japanese public lavatories in Perfect Days, a slice of life drama about Hirayama, a janitor who finds quiet happiness in his routine of travelling from public convenience to public convenience cleaning, photographing trees in the park, being welcomed at restaurants by proprietors who fetch him his usuals, and reading books before bed. We discuss Wenders’ delicate touch and observational eye, Kōji Yakusho’s central performance, for which he was named Best Actor at Cannes, how small moments indicate whole avenues of a person’s life, and the film’s theme of connections between the individual worlds in which we live.
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With José Arroyo of First Impressions and Michael Glass of Writing About Film.
