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Paul King, the director of Paddington and Paddington 2, brings us Wonka, another reimagining of a British children’s classic. Roald Dahl’s beloved 1964 novel, Charlie and the Chocolate Factory, has been adapted twice: once in 2005 by Tim Burton, but most memorably in 1971 by Mel Stuart, with Gene Wilder as eccentric chocolatier Willy Wonka. It’s from the 1971 version that Wonka takes some of its cues (including musical ones), but in the service of that most 21st-century of cinematic artefacts: an origin story.
Within, discussions of: What we make of the world in which Wonka is set, one in which institutions purportedly in place for the public good are instead supportive only of corporate power; the reinterpretation of the Oompa-Loompas as a wronged people whose representative is out to retrieve what was stolen from them; Mike’s dissatisfaction with CGI and visual effects in British films and the production of the vocals in Wonka‘s songs; José’s opinion on Timothée Chalamet’s career and (apparently) uneven face; whether this film really benefits from its sentimental backstory and overtones; and how chocolate is best enjoyed.
With José Arroyo of First Impressions and Michael Glass of Writing About Film.
