Are the most interesting British film directors currently working women? Charlotte Wells’ textured, precise and poetic Aftersun begs the question. Clearly influenced by Lynne Ramsey (and Chantal Ackerman), and working in the same indie vein as Andrea Arnold, Wells has an eye for the original expressive image that can externalise interior states. She’s got a feel for rhythm too and alternations between movement and stillness, through editing and simple diegetic movement, is what help the film evoke mood and feeling as powerfully as it does. Aftersun is a beautiful and touching film about memory and relationships between fathers and daughters, overhung with depression but laced through with a love that keeps trying to break through the sadness. Paul Mescal and Frankie Corio are terrific in the central roles. We discuss all of this and more in the podcast.
The podcast can also be listened to on Spotify here: https://open.spotify.com/show/2zWZ7Egdy6xPCwHPHlOOaT
and on itunes here: https://podcasts.apple.com/gb/podcast/first-impressions-thinking-aloud-about-film/id1548559546
This is the mix of “Under Pressure” combined with the film’s soundtrack as used at the end of the film, put up on youtube by the soundtrack composer Oliver Coates
José Arroyo
