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Entrevías/ WRONG SIDE OF THE TRACKS

Finished watching Entrevías/ WRONG SIDE OF THE TRACKS on Netflix, which is not quite good but entertaining enough to watch to the end. It’s not quite good because the melodrama – necessary for the plot – is not understandable except as the actions of not very intelligent people. You know it’s going to lead to trouble, you know they need to do that for the plot to advance, but you also can’t believe anyone with brains would actually do something that dumb – even if they are in love. What is interesting about it is that it’s set in a rough neighbourhood in Madrid, and the drama plays out intergenerational narratives of class, race, and law within the family; with a particular social past as context and desire –for love AND money — as a driving force. There are many similarities to how these themes –capitalist dreams in subaltern milieus —  get played out in the UK or the US but also different enough for the comparison to raise interesting questions. Thanks to Stephen Marsh for the recommendation.

José Arroyo

By NotesonFilm1

Spanish Canadian working in the UK. Former film journalist. Lecturer in Film Studies. Podcast with Michael Glass on cinema at https://eavesdroppingatthemovies.com/ and also a series of conversations with artists and intellectuals on their work at https://josearroyoinconversationwith.com/

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