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The sequel to one of the first films we discussed on Eavesdropping at the Movies, The Hitman’s Wife’s Bodyguard reunites Samuel L. Jackson’s hitman, Ryan Reynolds’ bodyguard, and Salma Hayek’s hitman’s wife – whose role is significantly expanded from the first film’s bit part. The vaguely sketched plot – Antonio Banderas wants to blow up Europe or something, and that’s enough detail – is the wire hanger upon which jokes and comic character interplay are draped, but, crucially, is the comedy successful?
Whether it is or isn’t, and what we read into the audience response, is up for discussion, as is the deployment of the stars’ personas and cinematic histories, what renders Ryan Reynolds’ schtick endearing here where it’s normally irritating, and whether the film’s sexual dimension is overly vulgar or too one-sided.
José has seen The Hitman’s Wife’s Bodyguard twice now, and is no less in thrall to Hayek’s aggressive, wild performance the second time, loudly and enthusiastically responding to it. Mike is much less impressed with the film, but does admit to warming up to it in the second half, after a particularly mad joke that we won’t spoil here (but do in the podcast). If there are more Hitman’s Bodyguard films to come, hopefully with increasingly deliberately clunky titles, we’re up for them.
With José Arroyo of First Impressions and Michael Glass of Writing About Film.
