Hou Hsiao-hsien 19: Context 10 (Edward Yang, 1985)

Richard and I discuss our admiration of Edward Yang’s Taipei Story. It’s connection to Hou Hsiao-hsien, who stars and co-wrote the screenplay. It’s a mosaic of a film in which a relationship between two people, childhood sweethearts who care for each other, falls apart and as it does so we get to see stories of a people and of a city in transition in a country situated within two imperial cultures, Japanese and American, with mainland China always hovering on the background. It’s a beautiful film, with really striking, original and beautiful imagery: Yang’s flat face-on camera, uses of screens, reflections, the city always ever present in what is ultimately a chamber piece focussing on a couple and their immediate relations, the couple caught between a longed for past (on his part) and an uncertain future in hers. A truly great film.

The podcast can also be listened to on Spotify here: https://open.spotify.com/show/2zWZ7Egdy6xPCwHPHlOOaT

and on itunes here: https://podcasts.apple.com/gb/podcast/first-impressions-thinking-aloud-about-film/id1548559546

Images referred to in the film

blue backgrounds

Hou Hsiao-hsien framed between screens

Neon City

Reflected on screens. Also see other images below:

clip of Pepsi imagery:

Yang & Hockney

Richard also recommends this article:

This is a great article although it ignores the Hokkien-language films! This artistic conservatism was partly the result of the Kuomintang government’s thirty-eight-year imposition of martial law, and while the New Taiwan Cinema did not become explicitly political until the late eighties, when the law was lifted, Yang’s and Hou’s early films were among the first to depict Taiwan as a place with a burgeoning sense of its own social and historical integrity, independent of a mainland China that had long considered it a mere repository.

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