How to Murder A Millionnaire (Paul Schneider, 1990)

 

I was so tired last night I couldn’t summon up concentration for anything more complex than How to Murder A Millionaire. It was as bad as it looked — a series of sketches, coarsely filmed, and knitted into a story of a woman who thinks only of shopping and suspects her retired husband (Alex Rocco) has  lost interest and is trying to kill her in order to save on alimony when he  marries a much younger woman.  There are no depths. But it has Joan Rivers AND Morgan Fairchild in their prime. Morgan is Joan’s slimy ‘best’ friend who is really after her husband. It’s very funny, strives to feminism, slightly racist whilst trying not to be, and ends with the schmaltzometer going off the scales. There’s a wonderful bit of business where Rivers is being waxed and screams at each strip whilst being careful to give a very pained thank you to the waxer. Rivers is hilariously funny AND surprisingly affecting. Even the worst films have a few great minutes, say Buñuel. This is proof of that.

 

José Arroyo

 

 

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