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After a long wait and three delays, Christopher Nolan’s latest high-concept blockbuster, Tenet, has finally arrived in British cinemas. This description is a spoiler-free zone, but the podcast is decidedly not, so tread carefully before you listen: We spill every secret the film has to hold. The ones we could figure out, anyway.
Following our revisitation of five of Nolan’s massive flicks – the DarkKnight trilogy, Interstellar, and Inception – we’re keen to see how Tenet fits amongst its brethren. We consider, as we have done repeatedly, Nolan’s action direction, the aesthetic design, the tone, the concept that drives everything, how it’s explained, what we love, what let us down, and, well… to detail anything further would be indecent.
Mike is gobsmacked by it, finding brilliance in some of the film’s execution, though is keen to make more than a few criticisms. José is much colder towards it, dismissing it as no more interesting than comic books for children – can Mike’s enthusiasm rub off on him? Tenet has its flaws, but it’s ambitious, intriguing, large-scale, wonderfully cast and acted – it’s worth your time.
With José Arroyo of First Impressions and Michael Glass of Writing About Film.