A discussion of Youssef Chahine’s very first feature, Baba Amin/ Papa Amin/ Daddy Amin. We discuss how the first half seems like the work of a different, less talented filmmaker, how the second half comes alive with charm, inventiveness, song; how Faten Hamama once more comes across as one of the great presences of world cinema; the connection to the Astaire/ Rogers Swing Time; its interesting mix of musical and melodrama, and how auteurism here results in an enhanced appreciation of the work.
I have made a little video demonstrating the influence of George Stevens’ Swing Time (1936) on Chahine:
The full film can be seen on you tube here:
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