First Impressions

Notes on Films and Culture

Skip to content

Search for:

Screenshot 2020-07-17 at 09.41.41

Published on July 18, 2020 in In Conversation with John MercerFull resolution (3584 × 2240)

← Previous Next →

Leave a ReplyCancel reply

Recent Posts

Thinking Aloud About Film: The Driver’s Seat/ Identikit (Giuseppe Patroni Griffi, 1974) November 30, 2023
Eavesdropping at the Movies: 405 – Napoleon (2023) November 28, 2023
Pillars of Society/ Stützen der Gesellschaft (Detlef Sierck, Germany, 1935) November 25, 2023
La Mujer murcielago/ The Batwoman (Rene Cardona, Mexico, 1968) November 23, 2023
Das Mädchen vom Moorhof/ La Fille des marais/ (Douglas Sirk, Germany, 1935) November 21, 2023

Categories

Categories

Meta

Log in
Entries feed
Comments feed
WordPress.org

Archives

Archives

Recent Comments

	NotesonFilm1 on The Regal Cinema in Evesham
	Anonymous on The Regal Cinema in Evesham
	Anonymous on Hawaii (Marco Berger, Argentin…
	In Conversation with… on In Conversation with Pamela Hu…
	- Memory, Trauma, an… on MOTHER KÜSTERS GOES TO HEAVEN/…

Follow Blog via Email

Enter your email address to follow this blog and receive notifications of new posts by email.

Email Address

Film

Film

I'm interested in film, writing, culture, and history of thought. This blog is mostly about film but is also a means to develop, share, and engage in a conversation on any or all of these topics.

Search for:

Recent Posts

Thinking Aloud About Film: The Driver’s Seat/ Identikit (Giuseppe Patroni Griffi, 1974)
Eavesdropping at the Movies: 405 – Napoleon (2023)
Pillars of Society/ Stützen der Gesellschaft (Detlef Sierck, Germany, 1935)
La Mujer murcielago/ The Batwoman (Rene Cardona, Mexico, 1968)
Das Mädchen vom Moorhof/ La Fille des marais/ (Douglas Sirk, Germany, 1935)

Categories

Categories

Meta

Log in
Entries feed
Comments feed
WordPress.org

Archives

Archives

First Impressions Powered by WordPress.com.