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A quick observation on Mother (2009, Bong Joon-Ho, South Korea)

I loved Parasite and have posted much on the film, from the significance of the rock, the income gap, the noodles, its relation to the issue of postcolonialism, etc. We´ve even done a podcast. It´s a very rich film. But it also feels like it lacks mystery. That everything in the film is not only interpretable but explainable. That everything has been encoded to clearly extract. That´s great. But it also feels a lack. Nothing in the film has the giddy, quirky, entrancing and mysterious joy of Kim Hye-Ja as the mother dancing to that fabulous and foreign (Spanish? Cuban? I´ve heard it´s flamenco but it doesn´t quite sound like the flamenco I know) music which ends and starts Mother. Just a thought (and some images):

José Arroyo

By NotesonFilm1

Spanish Canadian working in the UK. Former film journalist. Lecturer in Film Studies. Podcast with Michael Glass on cinema at https://eavesdroppingatthemovies.com/ and also a series of conversations with artists and intellectuals on their work at https://josearroyoinconversationwith.com/

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