A note on the ´33 and ´49 versions of Little Women

The Greta Gerwig Little Women needs to be great because the Cukor-Hepburn one is perfect. Plus having the additional bonus of being, along with King Kong and Mae West, the sociological phenomenon of 1933. It´s a pity it´s not more seen:

 

Watching the ´49 version of Little Women only made me appreciate the 1933 Cukor-Hepburn version more. The 1933 version roots it in the Civil War, privation, self-sacrifice, kindness, family, sisterhood, complicated interpersonal relationships, and with a kind of yankee fierceness that is completely lacking in the sop of the ´49,. To see June Allyson after Hepburn is merely to see lack, where Hepburn was romantic, tomboyish, determined, longing to be an artist and a free woman, Allyson simply lowers her voice and juts her jaw. And even with that she´s better than Peter Lawford. A starry cast almost entirely wasted, Mary Astor certainly is, though Elizabeth Taylor and Margaret O´Brian have their moments (if only a few). Comparing the two is like comparing the illustrated comic of the novel to the novel itself. Same plot, more gloss, more shine, less depth and way less charm. I´d forgotten how important the Christmas setting is to all versions

 

José Arroyo

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