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Demi Moore, Inside Out (London: Fourth Estate, 2019)

inside out

When life gets busy and stressful, I find comfort in reading a biography and sinking into other people´s lives. This first week back teaching I read Demi Moore´s Inside Out. There’s surprisingly little on the career, a sparkly one that is central to an understanding of popular Hollywood cinema in the ’80s and ’90s,  and even less about the films: Joel Schumacher helped her keep her role in St. Elmo´s Fire whilst she got off drugs; people still want to talk to her about Patrick Swayze and Ghost; she thinks Indecent Proposal is a better film than is credited; she gives an insight into how she got that big paycheck for Striptease; the fights to resist the love affair between her character and that of Tom Cruise´s in A Few Good Man that the studio was begging for; she talks of how men in the industry reacted to her G.I Jane body etc. But there´s not much and more space is devoted to the Vanity Fair covers she did with Annie Leibowitz (perhaps rightly). The spine of the story is her relationship with her mother and the best parts of the book are her descriptions of growing up with two parents who were mainly interested in drink, drugs, gambling and a good time, running away from bills and responsibilities all over the country, scamming their way into new houses, and then repeating the cycle all over again every few months with new names, constantly on the move and always on the fringes of criminality. One of Demi´s daughters says she wasn´t raised but forged. And reading the book one understands why. A book I very much enjoyed reading.

 

José Arroyo

By NotesonFilm1

Spanish Canadian working in the UK. Former film journalist. Lecturer in Film Studies. Podcast with Michael Glass on cinema at https://eavesdroppingatthemovies.com/ and also a series of conversations with artists and intellectuals on their work at https://josearroyoinconversationwith.com/

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