An interview with Samuel Larson Guerra, distinguished sound designer (a term he hates), author of one of the few books in Spanish on sound in the cinema, ´Pensar el sonido (Thinking Sound)´, award winning sound designer (Ariel award for Fibra Optica in 1998), editor (Diosa de Plata award for best editing for Dos Abrazos, 2007), composer (Ariel for best original music for Vera, 2008), and an award-winning teacher (CILECT teaching prize from the Asosiación Internacional de Escuelas de Cine y Televisión). Larson is a member of the Academia Mexicana de Artes y Ciencias Cinematogáficas (AMACC, the Mexican equivalent of the American Motion Picture Academy of Arts and Sciences that hands out the Oscars) since 2008. He also composed the music that leads in and out of the podcast.
In terms of sound quality this is one of the worst interviews I´ve ever recorded: Ironic and embarrassing when its subject has devoted much of his life to thinking about sound. However, the conversation is so interesting that I decided to go ahead and put it out, particularly when Jose Homer Mora Costa kindly offered to clean up the sound. He was successful in eliminating the worst offences though it´s still not ideal. The conversation with Samuel Larson ranges from the beginnings of EICTV, film culture in Mexico; the influence of Michel Fano and Walter Murch, both of whom his studied with, on his work, his filmmaking in Mexico and Central America, the effects of changing technologies on sound capture, mixing and design, the changing importance of sound within Mexican film culture and institutions, and finally his own book.
The conversation can be listened to here: