We’re disappointed with The House with a Clock in Its Walls, a children’s horror fantasy that insults its audience’s intelligence by assuming that this is the kind of simplistic shit kids love. We find some aspects of its design to enjoy but for the most part find it close to charm-free and not up to the standards of its stars – though Mike is keen to point out it’s probably director Eli Roth’s best film, which isn’t saying much. José goes on a rant about how often the adorableness of children in Hollywood cinema is signified by blue-eyes and the Nazi Aryan-worship implicit in such a consistent use of of that particular trope, as if dark-eyed children can’t per se be adorable.
The podcast can be listened to in the players above or on iTunes.
With José Arroyo of First Impressions and Michael Glass of Writing About Film.
