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Antonioni’s London in Blow-up

Antonioni’s London in Blow-up  is exciting, artistic, inclusive, open-minded and a bit queer. It’s  full of different kinds of people but with an accent on youth, photography, music, art and fashion. It values old things. Grey cement blocks and old red-brick buildings are the backdrop to new and exciting ways of being with new, more open-minded attitudes to sex that are still anchored in ages-old sexism and in which the pull of a certain kind of realism  is over-ridden by a clash of modernist impulses, conveyed graphically. It’s a place of unsolved murders where mimes cavort, justice is sought,  but alienation dominates, albeit in green spaces. Why do I think this? See below:

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Cement blocks as backdrops to new ways of being

 

Nuns and Beefeaters (It’s an Italian’s London)

 

Rolls Royce convertibles against old bric
Veroushka
photography, fashion, the thrust of the camera; new sex, old macho posturings

 

graphic designs; modernist studios rendered from old places
fashion
ART
Queers
Antiques
Green parks and smart tayloring
An old realism for old people suffering from old hardships
People from all over the world
Anti-nuke protests for peace
Vanessa Redgrave
Murder revealed; murder unsolved.
Jane Birkin, nude, in a frolicksome threesome
Sarah Miles, having sex with one but looking at another
gigs
Busy streets with cool shops
Flower power parties
Drugs
Old buildings with great views of the Thames
Mimes playing tennis in green parks
Alienation in green and pleasant fields.

José Arroyo

By NotesonFilm1

Spanish Canadian working in the UK. Former film journalist. Lecturer in Film Studies. Podcast with Michael Glass on cinema at https://eavesdroppingatthemovies.com/ and also a series of conversations with artists and intellectuals on their work at https://josearroyoinconversationwith.com/

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