I was bored through most of it and actively irritated by the end of the film. Mike kind of liked it. We talked about references, about address — it’s aimed at boys but some confusion about which generation — the quality of the animation. ‘It’s like a kid’s movie used to be but just not aimed at you,’ says Mike. A work in which the maker of a video game is treated and read as the equivalent of the bible; a sad film indeed. To me further proof that Spielberg doesn’t quite rank with the greatest of filmmakers: incredible technical skills, a prodigy. But to what end? I found it full of pop-cultural references pop-culture geeks will delight in but ultimately dumb and empty. I can’t imagine what people who don’t have an encyclopaedic knowledge of music, film and video games of the last forty years will make of it. There’s no emotional resonance to this film at all; and its view of human nature and the way the world works is as banal as it gets. Brummies will be interested in seeing how their city is used to signify a dystopic futuristic Columbus, Ohio. West Midlands News was delighted; more sophisticated viewers might get enraged. Throughout, Mike offers much more generous readings than the above.
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José Arroyo and Michael Glass of Writing About Film.
