I like these relatively low-budget star vehicles featuring action. They’re often much better than they’e thought to be. Here we discuss how Collett-Serra frames a wonderful opening scene through innovative use of editing, the superb montage of dissolves that highlight the commuter’s lonelyness, the wonderful shot that tracks through all of the carriages of the train, the ingeniousness of the central promise. There’s more cinematic nous and contemporary relevance here than in all of Downsizing. Mike likes it less than I and we discuss these differences of opinion whilst highlighting the many pleasures this film offers. Neeson, who I think is terrific, is surrounded by a great cast: Elizabeth McGovern, Vera Fermiga, Patrick Wilson, Sam Neill. A good example of today’s Termite Art.
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With José Arroyo of First Impressions and Michael Glass of Writing About Film.