Sean Baker’s The Florida Project incites ruminations on the representation of underclasses in cinema; the emergence of a new American neorealism; clichés of slice-of-life and childhood films; what audiences owe to films that are truly reaching, even beyond their grasp; and why a man who can cry at Toy Story can’t open himself up to stories of genuine human pain. One of us finds the colour lilac revolting.
Recorded on 22nd November 2017.
Jose Arroyo and Michael Glass of Writing About Film
