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Atomic Blonde (David Leitch, Germany/Sweden/USA, 2017)

 

atomic blonde

Atomic Blonde lost me in parts and the story is not very well told. But I loved seeing Charleze Theron embodying that 70s comic-book via Helmut Newton clichéd lesbian dominatrix character. I loved the look, the styling, and the fight scenes. And it’s got a marvellous cast: James McAvoy, John Goodman, Toby Jones, Eddie Marsan and, quickly becoming my new favourite, Sofia Boutella. Lots of great 80s tunes, plus it’s set in Berlin just as the wall is coming down. Lots to love. I think it will have a long afterlife across various platforms.

A look at panels from The Coldest City,  the graphic novel by Anthony Johnson on which Atomic Blonde is based on is illuminating. The look and styling is completely different: she’s not a blonde for one thing. The French agent is a man, so the whole lesbian Sofia Boutella element is an interesting twist. Also, the James McAvoy character seems about twenty years older in the book. The film nonetheless follows the narrative of the graphic novel extremely closely. Fascinating in terms of how they’ve re-visualised and styled for the film

José Arroyo

By NotesonFilm1

Spanish Canadian working in the UK. Former film journalist. Lecturer in Film Studies. Podcast with Michael Glass on cinema at https://eavesdroppingatthemovies.com/ and also a series of conversations with artists and intellectuals on their work at https://josearroyoinconversationwith.com/

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