John Wick (Chad Stahelski, USA, 2014)

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In John Wick, Keanu Reeves is like a mobile sketch, slinky lines of iconicity encased in a cloud of depressed earnestness, and he’s terrific; as is Alfie Allen, giving a more traditional type of naturalist performance, as the callow, amoral, edgy son of a Russian gangster. As to the rest, the film is a series of action pieces, excellently directed by Chad Stahelski and David Leitch in a straightforward no-nonsense manner that allows one to see what’s going on. I really liked it.

José Arroyo

One thought on “John Wick (Chad Stahelski, USA, 2014)

    […] In between fights, treasured character actors are given a chance to conjure some laughs and shine: some succeed (Lance Reddick, Ian McShane, Laurence Fishbourne), some don’t (John Leguizamo, Franco Nero, Peter Stormare). In a sense, the film reminds me of Speed (Jan De Bont, 1994): everything in the movie is designed as pace-in-time, to showcase action; it’s all move along, move fast, and bang bang against a series of distinctive images. But Keanu has a very particular and distinctively pleasurable way of holding a gun: elbow in, eye on the trigger. And Chad Stahelski knows how to stage action so that one sees the complete movement, is aware of the geography of characters and bodies, and in backgrounds that add visual pleasure and thematic density (the mirrored ‘Souls’ installation near the end). It’s a great-looking film (shot by Dan Laustsen) , a brightly hued noir that adds a sharp if artificial light to a series of explosive actions amidst an encroaching darkness. All of that plus Dog. Great fun. Even better than the original. […]

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