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Massimo Girotti’s entrance in Visconti’s Ossessione (Italy 1943)

Our first sight of the drifter in Ossessione

By NotesonFilm1

Spanish Canadian working in the UK. Former film journalist. Lecturer in Film Studies. Podcast with Michael Glass on cinema at https://eavesdroppingatthemovies.com/ and also a series of conversations with artists and intellectuals on their work at https://josearroyoinconversationwith.com/

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