Killer Joe (William Friedkin, USA, 2011)

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William Friedkin’s new film begins strikingly with the stark, harsh beams of truck-lights illuminating darkness, transporting us instantly into a world of noir and showing us Gina Gershon making one of the all-time great star entrances. As she demonstrated in the unforgettable Bound (Andy and Lena Wachowski, USA, 1996), Gershon makes space noir just by walking through it —  a combination of sex, danger, maybe death, seems  to vibrate from her; to lure and threaten. The film owes a lot to the Night of the Hunter (Charles Laughton, USA, 1955) – the stranger, the threat, the child, the sordidness wrapped up in quasi-religious feeling. Killer Joe is very disturbing and somewhat sordid and I think a lot of the creepiness is due to a real underlying misogyny. Regarding Mathew MacConaughey,  I can see why people are praising him. The role is indeed a departure from his usual persona. But to me he still looks like a smug lump onscreen. He’s had excellent roles lately (Magic Mike and Mud in the last year alone) but he’s still better at choosing than performing in them. I would have preferred someone more uptight, more sinister in the role (Michael Shannon say). However, MacConaughey is indeed effective and so is the film. Killer Joe is the work of a real artist though not one you’d invite for brunch.

José Arroyo

2 thoughts on “Killer Joe (William Friedkin, USA, 2011)

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