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The Vow (Michael Sucsy, USA, 2012)

Hair is clearly the most important element of The Vow and Channing Tatum’s must have required a whole retinue of hairdressers. I have seen films that are phonier and dumber but not by much. Rachel McAdams gets top billing and I can’t for the life of me figure out why. Is this sad and impoverished ideal what passes for romance in America now?

José Arroyo

The Vow2

By NotesonFilm1

Spanish Canadian working in the UK. Former film journalist. Lecturer in Film Studies. Podcast with Michael Glass on cinema at https://eavesdroppingatthemovies.com/ and also a series of conversations with artists and intellectuals on their work at https://josearroyoinconversationwith.com/

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