Writing About Film

Eavesdropping at the Movies 28 – The Greatest Showman

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I go on in an ornery mood finding fault with every aspect of the film. Kind Mike largely agrees but finds room for praise. He also turns the film’s faults into such good jokes that it lifted me out of the dark cloud the film had put me into. One of those instances where the conversation after a film was better than the film itself. A heavily edited version can be heard here:

 

The podcast can be listened to in the player above or at this link

 

José Arroyo and  Michael Glass of Writing About Film

The Snowman – Eavesdropping at the Movies – Ep 12 – 19th October 2017

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Mike and I discuss scandinoir, why Tomas Alfredson — who is not Thomas Anderson — is such a great director, how some shots in this film made me swoon, why Chloë Sevigny’s performance is so great and Michael Fassbender’s, gloriously handsome as he is in this movie, is not. Was Val Kilmer dubbed? Why does a film that has so many extraordinary elements not quite add up to the sum of its parts? Is Snowman a Europudding? Spoilers abound

 

With Michael Glass of Writing About Film

The Hitman’s Bodyguard – Eavesdropping at the Movies – Ep 2 – 23rd August 2017

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The second instalment of the Eavesdropping at the Movies podcast with Michael Glass of Writing About Film,  where we hope to offer the experience of eavesdropping on friends chatting informally about a movie after just watching it.

This week the focus is on The Hitman’s Bodyguard and the topics under discussion include: Can an action film that goes through Coventry be any good? Is it important that action scenes are funny? Is Gary Oldman a whore? All valuable questions. All answered in our chat about The Hitman’s Bodyguard. I think.

José Arroyo and Michael Glass.