Patrice Chereau is Napoleon, out to conquer Egypt. Michel Piccoli is Cafarelli, one of Napoleon’s generals and a man of science. Cafarelli falls in love with Ali (Mohsen Mohieddin) AND his brother, Egyptian patriots who learn to love him but — Ali at least — not that way. It’s an anti-colonial, very queer film, not afraid of placing poetry in the midst of impressive spectacle. The first of Chahine’s France-Egyptian co-productions involving Humbert Balsan. It got bad reviews from both the French and the Egyptian press upon first release and has since become a classic, the only one of Chahine’s films we’ve been able to find released on blu-ray (and as a ‘Heritage’ film in France). The podcast touches on all of these subjects and, when scenes are discussed, clips are provided:

The version shown on Kuwaiti television with English sub-titles discussed by Richard at the beginning of the podcast:

https://vimeo.com/147939198?fbclid=IwAR3ZIELkFDr-6QoYl6wnE7mS3pr1RV0YKR6CSE_FKba4wVy0w0N4Gh0MPwM

and what follows are clips from scenes discussed in the podcast:

a: the beauty of the film itself and the uses of Egyptian landmarks.

b) the wonderful scene with Patrice Chereau as Napoleon dancing

c) the uses of poetry. A film that is not afraid to deploy it narratively nor nor create it visually.

d: Anti-colonial struggles

A lesson in love: power dynamics, desire, sex, affection. Chahine dramatises it with many colours and in various dimensions.

Some of you may be interested in this ‘on location’ piece by the great Serge Daney:http://sergedaney.blogspot.com/2021/02/the-small-sentence.html

José Arroyo