Tag Archives: Minnie Driver

The Gus Van Sant Podcast No. 6 :Michael J. Glass on Good Will Hunting (1997)

Michael J. Glass joins me for a discussion of Gus Van Sant’s GOOD WILL HUNTING (1997), a blockbuster success in its day; a film that won Robin Williams an Oscar, made stars of Matt Damon and Ben Affleck, and left a big cultural imprint. It’s since been much parodied (in COMMUNITY, THE SIMPSONS, all over youtube) and a dominant critical perspective is slightly sniffy on the film: filmmaking by numbers and committees on a ‘we need a job’ script. We found it an extremely easy watch that holds up and is even more interesting on second viewing. GOOD WILL HUNTING is an effective piece that is surprising in all kinds of ways and still works. We discuss its critique of the US, its focus on class, on abuse, on the fragility of young men. Its rare to see a film that dramatizes how American foreign policy is one of extraction and exploitation and how social mobility in the US is available only to geniuses with sponsorship. We also discuss whether how Van Sant films and what he focuses on might be connected to sexual identity.

 

The podcast may be listened to here:

The podcast may also be listened to on: Spotify here: https://open.spotify.com/show/2zWZ7Egdy6xPCwHPHlOOaT

and on itunes here: https://podcasts.apple.com/gb/podcast/first-impressions-thinking-aloud-about-film/id1548559546

Some of the clips discussed may be seen below:

Ben’s Speech:

Denunciatory Speech:

A look in the mirror:

Matt’s Look:

The fight:

 

Perspective:

Community Parody:

Family Guy Parody:

Michael J. Glass is co-host, with myself, of the Eavesdropping at the Movies podcast

Jose Arroyo

Eavesdropping at the Movies: 415 – The Beekeeper

The Expendables films set Jason Statham up as the logical inheritor of the action hero crown formerly held by Stallone, Schwarzenegger, Van Damme and so on – and true to his status as such, Statham has many rubbish films under his belt. The Beekeeper is the latest, in which we learn of a programme of state-sponsored vigilantes – the Beekeepers – who act on their own terms, when something goes awry, to protect the hive that is the USA.

That the film is trash doesn’t mean it’s not fun, and Mike had a good time with the story’s daftness, the obviousness with which its cogs turn, and the action, which, while far from brilliant and heavily reliant on sound effects, is also intense and entertaining. José decries the film’s politics, dumbness, and use of British actors in so many of its American roles.

Listen on the players above, Apple PodcastsAudible, Google Podcasts, or Spotify.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.