Tag Archives: Matt Denny

José Arroyo in Conversation with Josh Schulze on ‘Alternate Takes’

Joshua Schulze is the new editor of Alternate Takes. James MacDowell one of the original founders of the digital site devoted to film and television criticism tells me that,

‘The aim of Alternate Takes is to provide analysis of cinema that is informed by academic debates, but also walks a line between the journalistic review and the critical essay. It publishes long-form essays that embody this ethos, but the most obvious way the site has achieved this compromise position between reviewing and scholarly criticism is by writing about new films twice. First there is a short, evaluative piece that ‘spoils’ as little as possible about a film, but still grants a sense of the sorts of experience it offers; the idea is that this is a review to read before you see a film. Then, after you’ve watched it, you can read our Alternate Take – a longer, more in-depth critical piece, which usually digs more deeply into a particular critical issue that the movie raises. While over the years this dual-review format has become less rigidly enforced, the overall approach it fostered has remained the same, and the site has continued to publish film criticism that is in-depth, critical, mindful of social and artistic contexts, but also accessible and enjoyable.’

 

The impetus for this conversation with Josh Schulze was merely to find out if there was a new direction he, along with co-editors Matt Denny, Patrick Pilkington and Leanne Weston, wanted for the now celebrated digital platform and what that might be.

In the podcast Josh and I discuss Pauline Kael, cinephilia, the pressures of writing quickly and its effects on film reviewing, the nuances of film criticism and how Alternate Takes is devoted at looking at films and television in depth. We also discuss our admiration for the video essays of Adrian Martin, Catherine Grant and Kogonada, and how contributing to Alternate Takes is a great way for early career people and students to explore their ideas and take new approaches to film.

You can find the website here: www.alternatetakes.co.uk/

James MacDowell’s thought provoking piece on the raison d’être and purpose of the platform can be found here: www.alternatetakes.co.uk/?2011,3,240

José Arroyo

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Eavesdropping at the Movies 71 – Hereditary – Second Screening

 

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We go deep on Hereditary, occult/folk horror, and indeed horror in a wider perspective with guest contributor and horror guru Dr. Matt Denny from the University of Warwick, a film scholar with a particular interest in precisely the milieu Hereditary occupies.  He brings an insightful and informed perspective to the film, picking up the baton where Mike and I dropped it in the previous podcast, and running off with it.

We consider what the occult sub-genre is, what makes such stories interesting and where Hereditary in particular digresses from them, and the effects that has. Matt offers a historical perspective on the treatment of women in horror and how the film puts forth a muddled version of that, and the influence of Kubrick (in particular The Shining) on the film. We consider Mike’s dislike of how the film hides information or clues behind codes, and Matt suggests that this is really just a function of how this type of film works – and indeed how the occult works. And is it reasonable that Mike associates the occult film with British cinema in particular? We also discuss the cost and benefit of  the film operating in between genres and return to the question of whether the film might be misogynist. Andrew Griffin raised the question of the film as an allegorical attack on the US religious right that José forgot to bring into the discussion but that some of you might have views on (and if you do please share them.

All this and more in a fascinating discussion.

 

The podcast can be listened to in the player above or on iTunes.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.