We go deep on Hereditary, occult/folk horror, and indeed horror in a wider perspective with guest contributor and horror guru Dr. Matt Denny from the University of Warwick, a film scholar with a particular interest in precisely the milieu Hereditary occupies. He brings an insightful and informed perspective to the film, picking up the baton where Mike and I dropped it in the previous podcast, and running off with it.
We consider what the occult sub-genre is, what makes such stories interesting and where Hereditary in particular digresses from them, and the effects that has. Matt offers a historical perspective on the treatment of women in horror and how the film puts forth a muddled version of that, and the influence of Kubrick (in particular The Shining) on the film. We consider Mike’s dislike of how the film hides information or clues behind codes, and Matt suggests that this is really just a function of how this type of film works – and indeed how the occult works. And is it reasonable that Mike associates the occult film with British cinema in particular? We also discuss the cost and benefit of the film operating in between genres and return to the question of whether the film might be misogynist. Andrew Griffin raised the question of the film as an allegorical attack on the US religious right that José forgot to bring into the discussion but that some of you might have views on (and if you do please share them.
All this and more in a fascinating discussion.