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Sunday by Georges Simenon (London: Penguin Books, 1959)

I had a very long journey yesterday – a train trip from Prague to Vienna was but a small part albeit a highlight —  perfect for reading a short Simenon novel. This one’s set on a Sunday in a small pension in the South of France. It begins on glorious day, as a couple is waking up. Simenon describes the bodies, the breaths, the density of the air, the smells of the people, the colours of the view. It’s a very sensuous setting for a murder. The man on the bed is Émile, the chef; the woman, Berthe, his wife, who he feels has trapped him; she is the owner of the pension and, he fears, of him. The rumblings upstairs are from Ada, the maid and Émile’s mistress. Murder is the bid for freedom and a new life. The whole novel is an account of the events of the day leading up to the murder -when? How? -with flashbacks explaining the why. Every detail seems common sense yet they all add up to a damming and very entertaining picture of amorality. A risotto, the chef’s speciality, takes pride of place in a startling finale that overturns much of what the reader has thought so far, risottos included. Thanks to Richard for the gift of the book.

José Arroyo

By NotesonFilm1

Spanish Canadian working in the UK. Former film journalist. Lecturer in Film Studies. Podcast with Michael Glass on cinema at https://eavesdroppingatthemovies.com/ and also a series of conversations with artists and intellectuals on their work at https://josearroyoinconversationwith.com/

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