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Steven Spielberg’s remake of West Side Story is here at last. The obvious question it raises is just why such a well-regarded film needs a remake – and the answer quickly becomes clear. Robert Wise’s 1961 adaptation of the 1957 stage musical is indeed a classic, but this new version comes from and enters a different America, one in which its message, José argues, is more urgently needed but faces a more difficult challenge to be heard. And on top of that, it’s just a really good film.
We discuss the film’s use of colour and lighting, the brutality of the violence and believability of the gang, the purpose and effects of having a lot of dialogue spoken in entirely unsubtitled Spanish, and much more. The songs are timeless, the romance heartfelt, the imagery beautiful. West Side Story is a great success.
With José Arroyo of First Impressions and Michael Glass of Writing About Film.
