Quiet, meditative, sensitive, gradual. Not the first words that come to mind when considering 2014’s vigilante thriller The Equalizer – though they do apply at times – but certainly descriptors of its sequel, which we loved. Denzel Washington’s ex-spy, Robert McCall, who had managed to extricate himself from a life of state-sanctioned violence and murder, now works as a vigilante for hire, an avenger, conducts himself as a role model, mentor, and cheerleader for those whose lives with which he comes into contact.

We discuss The Equalizer 2‘s ethos of personal responsibility and self-improvement, and its meditative tone. José orates on his love of Denzel and his position as perhaps the most significant figure of black masculinity throughout the history of cinema. Mike adores Antoine Fuqua’s aesthetic of long lenses, shallow focus and moody lighting; a visual sensibility that looks wonderful and intimidating on the big screen, but somehow makes small screens seem big too.

While it’s certainly cut from the same cloth as the first film, The Equalizer 2 is more confident to bask in contemplation and even a kind of plotlessness, and it’s not quite what you’d expect. We think it’s great. Worth seeing while it’s in cinemas.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.