Fences is stagey and heavy-haded: Denzel is not much of a director. But he’s a great actor and this is a great role in one of *the* great American plays of the second half of the twentieth century. He and Viola Davis are something to see, together and individually and they overcome every other fault. Watching it reminded me of seeing Sidney Poitier as a child or reading James Baldwin as a teenager: it’s beautiful, so charming as to diffuse but not hide the underlying anger, and with a dash of low-down sexyness, here all the more praiseworthy given the protagonists’ ages. One feels elevated by the experience. I didn’t care that it’s not ‘cinematic’. What it does offer is great.
José Arroyo
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[…] is proof such a film needs to be made now. Yet, I feel I’ve seen it all before. And after seeing Fences (Denzel Washington, USA, 2017) and Moonlight (Barry Jenkins, USA, 1917) Hidden Figures feels […]