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Robert Benchley Steals a Movie in Five Minutes

           China Seas is big-budget, all-star orientalist tosh with exciting action sequences, well-directed by Tay Garnett. I don’t know that it’s much worth seeing today unless you love Jean Harlow (which I do) or want to see how movie star like Gable can sleepwalk through a performance and still be appealing or are curious as to just how bad Rosalind Russell was at playing English aristocrats early in her career. What I most loved about the movie was the way Robert Benchley was deployed as a kind of punctuation mark in the narrative. He’s got no role really. He’s just brought in to punch up the tired narrative, lift the tenor and add a laugh, all of which he succeeds magnificently in doing. It’s a lesson to performers in how to steal a movie in five minutes and to screenwriters in how a movie is not all story and meaning and how in the words of the immortal Lubitsch, one shouldn’t ‘sneeze at a laugh’; though one is at all times willing to drink to it.

The clip below is the entirety of his role, a collection of all his scenes in the film in chronological order; bits, lines and gags; all totalling just over five minutes; and, aside from a few cracks between Jean Harlow and Hattie McDaniel, the only scenes from the movie one is tempted to see again.

José Arroyo

By NotesonFilm1

Spanish Canadian working in the UK. Former film journalist. Lecturer in Film Studies. Podcast with Michael Glass on cinema at https://eavesdroppingatthemovies.com/ and also a series of conversations with artists and intellectuals on their work at https://josearroyoinconversationwith.com/

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