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Thinking Aloud About Film: The Driver’s Seat/ Identikit (Giuseppe Patroni Griffi, 1974)
Eavesdropping at the Movies: 405 – Napoleon (2023)
Pillars of Society/ Stützen der Gesellschaft (Detlef Sierck, Germany, 1935)
La Mujer murcielago/ The Batwoman (Rene Cardona, Mexico, 1968)
Das Mädchen vom Moorhof/ La Fille des marais/ (Douglas Sirk, Germany, 1935)
Bottoms (Emma Seligman, US, 2023)
Eavesdropping at the Movies: 404 – The Killer
A note on why filmgoing has become so joyless
Thinking Aloud About Film: The Witch’s Mirror (Chano Urueta, Mexico,1962)
In Conversation with Pamela Hutchinson on The Red Shoes

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Thinking Aloud About Film: The Driver’s Seat/ Identikit (Giuseppe Patroni Griffi, 1974) November 30, 2023
Eavesdropping at the Movies: 405 – Napoleon (2023) November 28, 2023
Pillars of Society/ Stützen der Gesellschaft (Detlef Sierck, Germany, 1935) November 25, 2023
La Mujer murcielago/ The Batwoman (Rene Cardona, Mexico, 1968) November 23, 2023
Das Mädchen vom Moorhof/ La Fille des marais/ (Douglas Sirk, Germany, 1935) November 21, 2023

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I'm interested in film, writing, culture, and history of thought. This blog is mostly about film but is also a means to develop, share, and engage in a conversation on any or all of these topics.

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Recent Posts

Thinking Aloud About Film: The Driver’s Seat/ Identikit (Giuseppe Patroni Griffi, 1974)
Eavesdropping at the Movies: 405 – Napoleon (2023)
Pillars of Society/ Stützen der Gesellschaft (Detlef Sierck, Germany, 1935)
La Mujer murcielago/ The Batwoman (Rene Cardona, Mexico, 1968)
Das Mädchen vom Moorhof/ La Fille des marais/ (Douglas Sirk, Germany, 1935)

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