The Killers as Male Melodrama in 1 minute

I’ve long argued that many noirs are male melodramas about men who meet the wrong women and die from love. This is my failed attempt at a PechaKucha — I wanted to keep the dialogue and diegetic sound elements and I’m not skilled enough yet to make titles– that I think nonetheless well reveals those elements in Robert Siodmak’s The Killers,

 

José Arroyo

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