Gary Horrocks came to talk on Judy Garland at Warwick University and I grabbed him briefly to discuss fandom and Judy Garland; how he became a Judy Garland fan; and how he eventually went on to run The International Judy Garland Fan Club and become editor of, first, The Rainbow Review, which originated in 1963, and, more recently, Judy Garland: A Celebration.
Judy Garland is famous for starring in some of the most renown and celebrated films of all time: The Wizard of Oz (1939), Meet Me in St. Louis (1944), A Star is Born (1954); films which are seen and re-seen, from generation to generation; films which for some become totems through which to make sense of their lives and the world they live in: ‘what is it to have a heart?,’ I’ve heard children ask their mothers after watching The Wizard of Oz, and children ask a deeper, more complex and philosophical question than most adults do when using the same words.
Aside from her film work, Garland also appeared regularly on radio when that was at its peak in the ‘40s, she made dozens and dozens of albums, had her own television variety show and gave thousands of live performances in concert, some, such as the Carnegie Hall concert from ’61, so legendary that Rufus Wainwright re-interpreted it in 2006 and toured with for several years after. Since her 1951 performances at The Palladium to her last ones at The Talk of The Town in ’69, The UK was fundamental to her success.
In the podcast below, Gary talks of how The Judy Garland Club’s journal has been used as a primary source of research in biographies. The Rainbow Review, which was started in 1963 by Lorna Smith, and ran for over 100 issues is a mine of information and the club has kept every letter from every fan, many now sadly deceased. Fans also meticulously kept every newspaper article, review, etc., all of which the club has kept, filed and curated. The club also filmed interviews with people who’d met her, and this now amounts to over 400 hours of footage.
In 1998 Gary Horrocks was invited to take over the editorship of the The Rainbow Review, which eventually evolved into Judy Garland: A Celebration. There are now members from all over the world. They’ve recently produced a documentary on the 1957 Dominion show based on the archives, written by Gary Horrocks and created by Andy Warrington. The actor/comedian/author Tony Hawks is narrator.
The documentary can be accessed here:
In 2019 the Club is publishing its next journal with an extensive contribution from its founder Lorna Smith, alongside iJUDY – its online newsletter. More information on the club can be found at: www.Judygarlandclub.org.
The conversation, which can be listened to above, touches on I Could Go on Singing, Judy’s first UK tour, the appearances at the Dominion, the cult of Dorothy, her recordings at Abbey Road, the importance attached to her sincerity, and the various types of Judy fandom: ‘Some fans say I don’t like that version of Judy or I prefer the 60’s version. Or they say, ‘I don’t do Dorothy’. People approach her in different ways. There’s lots of friction amongst the fan community due to a sense of ownership around her. She gave the impression that she was singing just for you. Again I come back to ‘sincerity’. Her flame seems to get brighter every year.