A really smart and ambitious take on Dostoyevsky’s The Double that doesn’t quite ‘play.’ In the film, the present is imagined as a dark 19^th-century world with 1930s appliances where everyone is lonely, the self is divided, alienation is the norm and suicide is the only way out. Jesse Eisenberg plays two versions of a character and impresses with each. That it doesn’t quite ‘play’ is not as bad as it sounds. Many great movies don’t: La règle du jeu, The Magnificent Ambersons, many others; and if Ayoade’s film is nowhere near that level, it still makes for a fascinating watch. The Double is beautiful to look at, all noir-and-amber lighting, characters in frames within frames, boxed in, and with the camera often zooming out so that their imprisonment becomes complete. Eisenberg and Mia Wasikowska are mesmeric and I loved seeing Cathy Moriarty again. After Submarine and The Double, Richard Ayoade is no longer a director of promise but one of achievement.

José Arroyo