I have now seen Transformers: Age of Extinction which I find crude, ugly in spirit, a kind of barbarism in culture. In keeping with the rest, the ‘girl’ screamed a lot. The only thing barely human is Mark Wahlberg. The rests seem like an illustration of The Dialectic of Enlightenment: all that science, all that knowledge, all that artistry, marvellous shots; all now directed at destruction, and of ideals too not just of things

I went to see it hoping to understand why the franchise remains so popular. I do see that not all expensive movies that make a great big noise and that have shooting flames as a background to people leaping over things are alike; and some of them can be quite beautiful (though of this type of film, I’ve only liked Edge of Darkness so far this year). This is neither beautiful nor did I get any insight into what audiences are getting from it. Plus I mistrust criticism in the press to such an extent (and with excellent reasons) that I think I should check these things for myself and have my own views, which I now do. That’s what I expected and got from seeing the latest Transformers I suppose.

Another reason I go is because when I was young I remember critics saying those Schwarzenegger and other action/spectacle films of the 80s were the way I now see the Transformer films and I think some of the Schwarzenegger films are some of the great masterpieces of the cinema so I keep thinking maybe I’m missing something:

Terminator, Total Recall etc. are now recognised as classics of the genre (and this applies to the Robocop, Aliens, Batman etc. as well); so I’m just curious to see if younger people have reasons for loving these films that I’m not getting (I think most people would now agree with me about the aforementioned Schwarzenegger and so on; and I think the older people who dismissed them in the 80s just didn’t bother to look, or look carefully, it was partly not seeing, partly not knowing how to see). So I go to these to find out if I need to learn a new or different way of seeing or whether there’s simply not much to see beyond what I already do.

What I do see is a chasing of the Chinese market, product placement trying to sell us things, sexism, all the crash and bang and explosions and metal twisting, a militarist, gun-loving play on destruction: thousand of buildings get destroyed, loads of people die, nobody cares. I thought this of a show the Black Eyed peas did in the middle of the Super Bowl a few years ago: all military outfits, regimented movement, thousands of dancers, like soulless robots out for the kill; and one begins to see that these are signs of empire in decline; all the filmmakers cannibalise Arthurian legends without understanding what was at stake in them. The Transfomers  talk of freedom without taking into account everything they’re destroying to achieve it. It’s like the collective, the common good, a sense of common humanity and individual rights have no place in this vision of the world.

The movie is making money and that is receiving substantial coverage. But there are more important things than money. If what movies say and how they make us feel don’t matter, then movies don’t matter; and if movies do matter, we should care more; and if movies matter as much as I think they do, the filmmakers should be ashamed to put such shit out into the universe. Hardened whores have more of a conscience than is evident in this type of cynical filmmaking.

José Arroyo